A news
Among the many innovations that do not have time to write yesterday (in Italy, but this morning here in Tokyo) Peter was born, my second cousin . I look forward to doing the best wishes to Lucy and Paul.
might as well add some other news.
In mid-January, as has been clear, I'm back in Tokyo to finish the job. Among the many distractions I've gotten quite well. An evening
Australian embassy. It seems that many people end up there instead of directly in the Austrian.
I was in Yokohama and I made a trip to central Tokyo in an open-top bus. We passed under the Tokyo Tower, crossed the Rainbow Bridge, which crosses the bay of Tokyo. A brief stop on the opposite side for a cake and a cup of tea and went back into town, passing through Ginza.
All in all I am finding it good. I can also aapprezzare karaoke. Although I can not remember the names of songs. And the ramen in the evening before returning home.
Saturday, January 30, 2010
Tuesday, January 12, 2010
Reader's Edge Rapidshrae
Indian technique of painting on porcelain Cinzia Defendi: APPEARANCE THURSDAY
The Indian technique on porcelain has always been part of Eastern techniques, but differs for Indian motifs.
The porcelain painting is of a distinctly Indian feel.
These motifs and colorful decorative effect almost Manufactures have their roots in Ancient Far East, where the porcelain was not yet Cconsiderata "white gold".
By the time you took the difference between the decorations Chinese, Japanese, Korean and Indian, etc.., Thanks to the great masters of China.
That said, for my work in Indian technique, I always try to take cue from China's drawings, paintings on enamel, Woodcuts of Indian masters, folk paintings, textiles, paintings of Hindu temples, ...
The various "reasons" always call and refer to the traditions and religious aspects, stylized from nature, hunting, daily life, legends and traditional tales.
After choosing carefully the "why" I transfer all the selected piece of porcelain suitable for ... Indian interpretation, such as: various censers, the typical Indian elephant, vases, ... ... ... ... ... ... ... ...
and applies the technique Delineo complete any design previously transferred. Then
way to color using the classical technique, the technique of the relief, the technique of glazes, sponging and buffered using gold to embellish: all with different cooking methods.
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The Indian technique on porcelain has always been part of Eastern techniques, but differs for Indian motifs.
The porcelain painting is of a distinctly Indian feel.
These motifs and colorful decorative effect almost Manufactures have their roots in Ancient Far East, where the porcelain was not yet Cconsiderata "white gold".
By the time you took the difference between the decorations Chinese, Japanese, Korean and Indian, etc.., Thanks to the great masters of China.
That said, for my work in Indian technique, I always try to take cue from China's drawings, paintings on enamel, Woodcuts of Indian masters, folk paintings, textiles, paintings of Hindu temples, ...
The various "reasons" always call and refer to the traditions and religious aspects, stylized from nature, hunting, daily life, legends and traditional tales.
After choosing carefully the "why" I transfer all the selected piece of porcelain suitable for ... Indian interpretation, such as: various censers, the typical Indian elephant, vases, ... ... ... ... ... ... ... ...
and applies the technique Delineo complete any design previously transferred. Then
way to color using the classical technique, the technique of the relief, the technique of glazes, sponging and buffered using gold to embellish: all with different cooking methods.
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